Itzhak

Itzhak

my grandfather

Delayed Stress Disorder

Director and third-generation Holocaust survivor Liron Unreich overlays a childhood interview with his grandfather, poet, and “war victim” Itzhak upon a visual of an idyllic, All-American landscape. As he speaks, his words reveal a resonating pain and desperation and desire of escape where the only remedy is to write down the stories of lives lost so they don’t die again.

Itzhak
Itzhak

Terna.png

Fred

my neighbor

Intrusive Memory

Liron’s chance meeting with neighbor, artist, and Holocaust survivor, Fred Terna, paints the way for a colorful story of the changing landscape of memory. The story frames the methodology of Fred’s self-prescribed art therapy as he reveals how his painterly memory of a dark and forbidding Auschwitz comes to light over a 40 year period of painting the same subject.

Fred.jpg

daniela.png

Daniela & Zigmund

my friend

and

her father

Reconsolidation

Daniela, renowned neuroscientist and specialist in trauma and the reconsolidation of memory, employs director Liron Unreich to help her reveal the secrets behind her Holocaust survivor father’s unwillingness to share his story. As Zigmund’s tragic experience unfolds, it becomes clear that Daniela’s professional work has always been about unlocking her father’s motivation and process of protecting his memories.

Daniela and Zingmund
Daniela

dina and marc.png

Marc & Dina

my confidant

and

his inspiration

Dina Painting Detail

Postmemory Witnessing

Marc, a New York City painter and a scholar of clandestine holocaust art, meets Holocaust survivor Dina at one of his lectures in a small town in upstate New York. The relationship blossoms through Marc’s unquenchable curiosity of daily life within The Shoah. Encouraged and guided by Liron, Marc journeys on an intimate video interview with Dina that culminates in a larger-than-life portrait of this petite survivor just before her passing. 


david and dad-crop.png

david

new friend from

an old life

Prosthetic Memory

David, an accomplished New York advertising executive, is headed to meet his devout Christian parents. Looking into that camera, David claims, “I’m a Jew, I’m a Christian, I’m a Holocaust survivor.” He is about to reveal to his parents, and on camera, that he believes that in a past life he was a Jew who died in the Holocaust. Putting everything on the line, David, a lifelong Type-1 diabetic, whose religious upbringing caused personal, familial tensions and fractures, must deal with his past and present trauma. 

David montage